W O L F G A NG   T H E   A R T I S T

 

 

 

i n t e r v i e w : 

Question: Wolfgang, men fear and respect you, women get nervous around you and now your worldwide success story as a photographer.
Wolfgang: What is your question?

Question: Some people may say that you are an egomaniac that hankers after self-aggrandizement.  So why are you going through the trouble of making your work available to the public?
Wolfgang: If there is anything I can be proud of, it is the beauty I have seen in my life. I have failed to document this beauty. The photos in this gallery are just my failed attempts of preserving a frame of the ever-changing reality around me.

Question: You must be using a lot of expensive equipment?
Wolfgang:
Once I acted as a guide for a photographer from the German magazine "STERN". He carried 2 Leica SLRs and 4 lenses on his vest. His assistant gloated that that was more than $30.000 total. By now I have owned and handled far more expensive gear. Once I actually tossed $30.000 worth of outdated video equipment alone. I have had all the gear I ever wanted and was willing to carry around.  I shot Betacams, 35mm, 2 3/4", 4" X 5", what to speak of a large 2' x 2' repro camera.  
Nowadays I shoot with a Panasonic DMC-FZ18, which is one of those super-zoom cameras with Leica optics and a set of cheap close-up lenses. I keep it simple. On the weekends I became a giant that stalk those creepy crawlers  in my backyard. In most cases a tripod would only slow me down, so I do a lot of very slow and low squats and I hold my breath for the shot. Its more like playing  with a leg and hip work-out... not working with tripod, lights and reflectors.

Question: What brought you into photography?
Wolfgang:
My mother is a sculptor and my father was a static engineer. Maybe that is why it was always easy for me to combine art and technology. My mom wanted pictures of her sculptures and that is how I got my first box camera at 8 years. And because I had criticized her sculptures, my photos of her sculptures were being criticized by my dear mother.

Question: What makes a good artist in your opinion?
Wolfgang:
The perception or creation of beauty happens in the mind. When the artist wants to manifest the perceived beauty, may it be music, 2 dimensional or 3 dimensional, culinary or pertaining to our sense of smell, she has to be fluent in his technology.
For instance Picasso's drawings may look like a child's expression, but beware, Picasso knew anatomy inside out. He knew exactly how to draw a foot, an eye and so on, with him the childlike expression was a choice not ignorance.

In my personal world view I distinguish between the artist and the artisan. The artisan follows a firmly established course of action for a traditional product. The wedding photographer and the run of the mill portrait photographers come to mind. In medieval times painter businesses would crank out commonly ask for paintings like "The Madonna with Child" by copying a popular painting like an old fashioned Xerox machine.

The artist is the one that steps beyond the mediocrity of the safely trodden path and comes up with something new.
So originality with substance is one component that i like. And then there is the emotional impact of the art. Nobody will deny that music, smell and visuals have a very strong affect on the emotions. A painting or photo can be soothing, exciting and many other things to the emotions, so I judge an artist on what kind of mood their art invokes in me.

Question: What is a good photo in your opinion?
Wolfgang:
In this world any photo you look at is a good photo in a sense, because it made it past your filters that block out anything that is not important to you. In our world we are so over stimulated with sensual impressions that only the more extraordinary or the most base stimuli are given attention. So good art or in this case a good photo impresses people, which is why it is especially used in higher end advertising or to get political ideas across.

When I judge a photo, I make myself emotionally neutral and then I look at the image. Then I observe how the image makes me feel. Now here is the interesting thing: When I compared three identical photos of a meadow with a bracketed exposure, I noticed that the overexposed image made me feel happier than the correctly exposed or under exposed photo. As a personal bias I like to be happy and as a choice I used this so called over-exposed image on my desk-top. 
Of course there is so much more to say about good photos.

And then there is of course the level of perception psychology.  I consider composition, proportion, eye movement, color theory and like to play with foreground/background contradictions.

Question: What do you think is the best way to take great pictures?
Wolfgang: As I said before, the perception of beauty starts in the mind. Perception in general is intentional.  That means, according to Hegel, that the business man sees business opportunities, the predator keeps looking for prey,  and the artist looks for the extraordinary attraction in the ocean of mediocre information. Somehow we seem to be programmed to look for the extraordinary with our biological filters.

As a yogi I like to crank up the crown chakra which turns off my inner dialogue and lets me see the world with the eyes of a child again, without pre-conception. Well, I keep an eye on composition and the other technical stuff, but with the opening of the heart and crown chakra I become more sensitive to the finer things of life.

Pretty much every thing in life is better with the heart and crown chakra open, admitted, but that can be argued away with being a subjective experience.  The photo or film is just about a proof that I have been there, done it, no illusion, its here within pixels. 

Question: So Wolfgang now really, why are you publishing your galleries?
Wolfgang:
I am complex being and many reasons and energies come together on this site.  From an ego point of view these galleries are there to show off, plain and simple, you got me there.  People may say: Who the hell are you that you talk the way you talk, are you out of your gourd?  And I can say: "This is what I have done."  They will look and say:  "We thought you are an airhead Wolfgang, but now we see that you must know what you are talking about."

Of course there may also be those sensitive and intelligent people that have a good display monitor. They may love to have these beautiful images as screensavers and support/reward an artist at the same time. I might sell a DVD with these screen-savers or even give people permission to use certain high resolution images for their publications.
 

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